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Artist: Various (compiled by Dan Dizette)
Title: Black Magic Wiki
Catalogue No: XNMX 080
Duration: 83 mins
Format: MP3/320kbps
Released: December 2018
The Left Outsides Gower Wassail (self-released, 2013)
Claustrum and Traur Zot La Campana (recorded live at Dreamfactory, 22 September 2001) (Old Europa Cafe, 2004)
Laibach Grosste Kraft (excerpt) (Cherry Red, 1985)
Mort Garson I’ve Been Over the Rainbow (A&M, 1968)
The Makers of the Dead Travel Fast Tael of a Saeghors (M Squared, 1980)
Hyperculte Penser Ensemble (Bongo Joe / Red Wig, 2016)
Tullio de Piscopo Stop Bajon (Live) (studio version, Bagaria, 1983)
Brian Briggs Aeo (Parts I and II) (Ron Hardy edit) (original version on Bearsville, 1980)
Telex Pakmovast (Sire, 1979)
Man Friday and Jive Junior Picking Up Sounds (Ron Hardy edit) (original version on Malaco, 1983)
Material Don’t Lose Control (Elektra, 1982)
Design Premonition (recorded in 1981) (Anna Logue, 2006)
Xylitol Sleigh Ride (self-released, 2018)
Apostille Born Defective (Blank Editions, 2016)
UKAEA Spar Crew Soulja (not on label, c. 2016)
The Modern Institute Black Blood (Night School, 2017) [played at 33rpm]
The Modern Institute False Beards and Diamond Hooves (Night School, 2017) [played at 33rpm]
Stefan Jós Black Magic Hollyhock (videogamemusic, 2015)
Shayu Wiki (UNITI, 2017)
Laibach Die Liebe (Cherry Red, 1985)
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Artist: Various (compiled by Lumpen Nobleman)
Title: Music for Magnetic Tape and Humming
Catalogue No: XNMX 079
Duration: 57 mins
Format: MP3/320kbps
Released: December 2018
Angus MacLise Humming in the Night Skull (recorded c. 1968–72) (Siltbreeze / Quakebasket, 1999)
23 Skidoo G-2 Contemplation (Operation Twilight, 1983
Ensemble Klang / Matthew Wright Totem for den Haag (Ensemble Klang, 2010)
Tony Irving and Adam Cadell Some Shards for the Void (not on label, 2014)
Andrzej Dobrowolski Music for Magnetic Tape and Oboe Solo (recorded in c. 1965) (Polskie Nagrania Muza, 1968)
Karl Rossmann Fragment III (not on label, 1965)
Chris Corsano, Sylvie Courvoisier and Nate Wooley Tall Stalks (Relative Pitch, 2016)
Walt Dickerson and Sun Ra Space Dance (SteepleChase, 1979)
Corey Mwamba and Lauren Redhead Live at Contra Pop (2016) (Extra Normal, 2018)
Peeesseye Let The Hate Flow (recorded in 2010) (humansacrifice, 2014)
The Byrds Moog Raga (Instrumental) (recorded in 1968) (Murray Hill, 1989)
Peeesseye Let The Hate Flow (recorded in 2010) (humansacrifice, 2014)
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Artist: Various (compiled by Dan Dizette)
Title: The Temple of the Crimson Sphere
Catalogue No: XNMX 078
Duration: 56 mins
Format: MP3/320kbps
Released: December 2018
The Scratch Orchestra London, 1969 (A) (recorded live at Hampstead Town Hall) (Die Stadt, 1999)
Englesia Under My Skin (UNITI, 2018)
Low Breaker (Sub Pop, 2007)
Pauline Oliveros Grains (hat ART, 1988)
Vibracathedral Orchestra Stole Some Sentimental Jewellery (Misplaced Music, 2002)
Michael Tanner A Sussex Nocturne: Southease (Kit, 2016)
Koji Kondo Forest Temple (The Legend Of Zelda OST) (Pony Canyon, 1998)
Cara Stacey Music of the Spheres (Kit, 2015)
Paul Kass Roadrunner (recorded in c. 1978) (Finders Keepers, 2007)
Begnagrad Coc ’n Rolla (Ljubljana Ponoči) (recorded in 1982) (Mio, 2003)
5uu’s Geronimo (ReR Megacorp, 1994)
PoiL Goddog (Dur Et Doux, 2014)
King Crimson The Court of the Crimson King (including ‘The Return of the Fire Witch’ and ‘The Dance of the Puppets’) (Island, 1969)
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Artist: Various (compiled by Lumpen Nobleman)
Title: A Little Thrush in the System
Catalogue No: XNMX 077
Duration: 58 mins
Format: MP3/320kbps
Released: November 2018
Laraaji The Dance #1 (Editions EG, 1980)
Phill Niblock feat. Thomas Buckner A Y U, Live (Touch, 2001)
Pauline Oliveros A Little Noise in the System (recorded in 1967) (Table of the Elements, 2003)
Matschulat Ulterior (Resterecords, 2016)
Cryptae Glubroneous (Sentient Ruin Laboratories, 2017)
Andeis Hailag Leik (Fallen Empire, 2018)
PinioL Kerberos (Dur Et Doux, 2018)
Ultimate Thrush The Chieftain (Mïlk, 2010)
DNA Size (Antilles, 1978)
Exeroica Del Apocalipsis (Radio Tripoli, 1988)
OOIOO Uma (Felicity / Shock City, 2007)
Plastix Geschlechtsverkehr (recorded in 1981) (Danger, 2014)
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Artist: Various (compiled by Dan Dizette)
Title: Life Begins When You’re Ready To Face It
Catalogue No: XNMX 076
Duration: 63 mins
Format: MP3/320kbps
Released: November 2018
Gal e Caetano Veloso Coração Vagabundo (Philips, 1967)
France Gall Pense à Moi (Philips, 1964)
KOKOKO! Likoko (ICI, 2017)
RAH Band Clouds Across the Moon (RCA, 1985)
Doctor Pablo & The Dub Syndicate Dr Who? (On-U Sound, 1984)
Ghetto Priest feat. Prince Far-I Dungeon (Sound Boy, 2003)
Lee Perry I am the Upsetter (Amalgamated, 1968)
Toots and the Maytals Bam-Bam (Dynamic Sounds, 1971)
OOIOO Emeraldragonfly (Polystar / Shock City /Trattoria, 2000)
Fad Gadget State of the Nation (Mute, 1980)
Map 71 Primary Radioaction (Fourth Dimension / Foolproof Projects, 2018)
Luke X’s Ah Nahm Inc. Limite Essenziale (unknown label, 1982)
The Radiance What Goes On? (Derrière, 1994)
Shoc Corridor Artificial Horizon (Shout, 1983)
Lori and the Chameleons Touch (Zoo, 1979)
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Artist: Various (compiled by Dan Dizette)
Title: Your Garden is the Place Where I Come From
Catalogue No: XNMX 075
Duration: 94 mins
Format: MP3/320kbps
Released: September 2018
Chump Out of It (Self Released, 2016)
Teenage Fanclub Your Love is the Place Where I Come From (Creation, 1997)
Marianne Faithfull Sister Morphine (Decca, 1969)
Bridget St. John Song for the Waterden Widow (Chrysalis, 1974)
Carly Simon The Love’s Still Growing (Elektra, 1971)
Trees The Garden of Jane Delawney (CBS, 1970)
Fairport Convention A Sailor’s Life (Island, 1969)
The Family Elan All the Rooks Have Been Spent (Alt.Vinyl, 2010)
Jeremy Steig Djinn Djinn (Columbia, 1974)
Morviscous Small Piece (not on label, 2007)
Matthew Shipp 3 in 1 (Thirsty Ear, 2011)
Mat Maneri, Evan Parker, Lucian Ban Hymn (recorded in 2014) (Clean Feed, 2017)
Greg Goodman, Henry Kaiser, Jon Rose Dingos in Quest (The Beak Doctor / Metalanguage, 1982)
Lambs Gamble Geographies of Upset Anomalies (recorded in 2013) (Discombobulate, 2017)
Costis Drygianakis Blown into Breeze: Part Two (Self Released, 2013)
The Nest 1977 (Excerpt) (recorded in 2016) (motmot, 2018)
R.L. Crutchfield’s Dark Day Trapped (Infidelity, 1980)
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Artist: Various (compiled by Lumpen Nobleman)
Title: The Silver Eyed Boy
Catalogue No: XNMX 074
Duration: 74 mins
Format: MP3/320kbps
Released: September 2018
Gavin Prior Glassslid (Deserted Village, 2016)
Gloria Coates V: The Silver Eyed Soul (Tzadik, 2013)
Paul Hamilton & Joseph Duarte Dance Music (United Dairies, 1980)
Keiji Haino & Tatsuya Yoshida West Broadway (Tzadik, 2006)
Guttersnipe Phosphene Gamine Forcipule (Self Released, 2016)
Barbara Okań-Makowska Symphony: Electronic Music Part 3 (Wire Magazine, 2018)
Disinformation Kwaidan Pt.3 (Iris Light, 2005)
The Duke of Catford Title Unknown (GOM, c. 2015)
Leyden Jars Dissent (not on label, 2018)
Jo Thomas Boy (recorded c. 2015) (Soft Apple, 2017)
Me, Claudius Back to the Sweat-Out Tower (Linear Obsessional, 2018)
Sue Lynch The Ludgate Hill (Linear Obsessional, 2017)
PonPon You Can See the Light (As It Hears, 2018)]
Chicaloyoh L'Abre de Sang (Self Released / 213 / Et Mon Cul C’est Du Tofu?, 2016)
Senga Etna Live @ La Folie 2006 (6de Kolonne, 2014)
Flower-Corsano Duo Another? I Couldn’t Possibly. (Self Released, 2009)
Cucina Povera Kehoitus (Night School / Domestic Exile, 2018)
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Artist: Various (compiled by Lumpen Nobleman)
Title: The Lost Queen’s Black Swan
Catalogue No: XNMX 073
Duration: 89 mins
Format: MP3/320kbps
Released: September 2018
Bert Jansch The Black Swan (Drag City, 2006)
Fairport Convention Crazy Man Michael (Island, 1969)
Nic Jones Annachie Gordon (Trailer, 1977)
Comus In the Lost Queen’s Eyes (Dawn, 1971)
King Crimson Discipline (Warner, 1981)
Fenster Off the Cahin (Morr Music, 2015)
Shopping Control Yourself (FatCat, 2018)
Fanny Kaplan сияние ниц / Sianye Nits (Nazlo, 2014)
Teeth of the Sea Hypnoticon (Rocket, 2010)
Coil Tainted Love (Force & Form, 1985)
The Associates Breakfast (WEA, 1988)
Birdsongs of the Mesozoic Gravity Theme (Cuneiform, 2000)
Alexander Hawkins Ensemble Cowley Road Strut: Message from the East (for Pat Thomas) (FMR, 2009)
Still House Plants The House Sound of Chicago (Huntleys & Palmers, 2016)
Banana Oil Kiss from a Seal (Winning Sperm Party, 2017)
Anthony Braxton ATOTH MBA H (Sound Aspects, 1986)
Nurse With Wound Cooloorta Moon (United Dairies, 1992)
Albert Marcoeur Deux Lions au Soleil (Excerpts) (Tago Mago, 1982)
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Artist: Various (compiled by Dan Dizette)
Title: Wicked Contemplation Garden
Catalogue No: XNMX 072
Duration: 72 mins
Format: MP3/320kbps
Released: September 2018
Hermann Nitsch Gregorian Chants in the Chapel Under the Direction of Peter Kubelka (Excerpt) (Cortical Foundation, 2000)
Eyvind Kang Enter the Garden (Tzadik, 2007)
Cécile Bruynoghe Clair de Lune (Les Disques Du Crépuscule, 1985)
Ugo Busoni Topazio (Nuova Idea, 1975)
Nick Drake Parasite (Island, 1972)
Galwad y Mynydd Galwad y Mynydd (recorded in 1972) (Finders Keepers, 2007)
Young Marble Giants N.I.T.A. (Rough Trade, 1980)
Suicide New City (recorded in 1975) (Superior Viaduct, 2017)
Prince Dawson You Can Score Too! (Herhalen, 2013)
Guapo El Topo (Pandemonium, 2000)
Pere Ubu Drinking Wine Spodyody (Chrysalis, 1978)
Solid Space Contemplation (In Phaze, 1982)
Yellow Magic Orchestra Key (Alfa, 1984)
Yello Bimbo (Ralph, 1980)
Psychic TV Wicked (Jettisoundz, 1989)
Muslimgauze Muhammad Said Useabag (Staalplaat, 1999)
Secret Chiefs 3 Mera Pyar Shalimar (Amarillo, 1998)
Meg Baird The Land Turned Over (PIAS, 2011)
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Artist: Simon Vincent
Title: Faceless (1993)
Catalogue No: XNMX 071
Duration: 43 mins
Format: MP3/320kbps
Released: March 2018
While, historically, many Extra Normal mixes have sailed close to the wind of experimental sound collage, for example Jennifer Lucy Allan’s Styx in the Throat (2014), Simon Vincent’s Faceless, in effect, travels in the opposite direction, being, as it is, an original musical composition (unceremoniously(!)) appropriated by Extra Normal as a mix.
To paraphrase the composer himself, Faceless was conceived at a time when London was turning architecturally neo-gothic and ideologically ultra-capitalist – something of a Gotham City.
While London and its people have been plunged ever deeper into the mire of rampant neoliberalism in recent years, Vincent’s 25-year-old piece is as sonically vivid and conceptually pertinent today as it was back in ’93.
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